Together, the Fine Art element of the MA put on a group exposition as a culmination of our expanded studio practice. After considering various venues, we secured a show space at Partisan. The build-up and process of developing the exposition was arduous, dramatic and convoluted to say the least. The role of social media in the process was valuable at connecting us, yet not all read the posts and information became repetitive, misunderstood and frustrated at times. The problem with the written word is that sometimes the tone and intention is lost. The name of the exhibition , I felt, was not encompassing of our practice. The only way I could concede to it was through the democratic process, in that most accepted it and also in another sense of the phrase:
However, we did use different media platforms to promote the work such as ArtRabbit and Facebook, plus physical posters that were circulated. On the day we organically curated the space and worked considerately to accommodate the needs of individuals whilst retaining an awareness of the whole show, to create a diverse exposition in the basement space. It was physically challenging because we were not allowed to have any fixings on the walls and the surface was loose and crumbly making it impossible to put adhesive forms on there. We did use the given fixtures and fittings creatively though. I was fortunate to find on my chosen wall space two parallel nails from which I could hang my clipped pulp paintings. I had also planned ahead and brought free standing easels, as had others.
When we had all set up, we were reflecting on the tumultuous process and decided it would have been a better plan to allocate roles to working parties and to spend more time on promotion. Personally, it was interesting discussing my work with those who attended as I found a distinct polarity of appreciation in that some really resonated with the paintings, use of colour and were fascinated by the crow symbolism, whereas others very definitely felt an affinity with the delicacy and tonality of the pulp paintings. I came away with a sense of accomplishment, shared experience combined with a process of valuable, reflective group and individual artistic cooperation and evolution.